The term may be applied based on the interface used to play the
instrument, in which a player blocks the flow of water through a
particular hole in order to sound a particular note, or based on a
hydraulic sound production mechanism. Hydraulophones use water flow
sound producing mechanisms. They have a user interface, which is
blocking water jets to produce sound. Those described in Mann's paper Hydraulophone design considerations use water jets striking perforated spinning disks, shafts, or valves, to create a pulsating water flow, similar to a siren disk.
A single disk, shaft, or valve assembly can have rings or passages with
different numbers of holes for different notes. Some hydraulophones
have reeds (one or more reed for each finger hole) and some are
reedless, having one or more fipple mechanism associated with each finger hole, thus having no moving parts to wear out.
Blocking flow through a finger hole directs the water instead to one
or more of the above-described sound-production mechanisms, or resulting
changes in flow or pressure affect a separate sounding mechanism
associated with each finger hole.
Some hydraulophones include an underwater hydrophone pickup to allow
the sounds produced by the water to be electrically amplified. Electric
amplification allows effects to be added (as with an electric guitar) as
well as making the hydraulophone a hyper-acoustic instrument (that is,
using computation to change the acoustic sound of the water into some
other instrument).
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